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2018 Litfest Podcast: Tess Johnston on A War Away

By Podcast

Tess spoke at the 2018 Shanghai International Literary Festival on the great sweep of life, her Foreign Service quest starting in a postwar and devastated Berlin in her search for adventure and excitement. Her search then led her to the pinnacle of adventure: seven years in Vietnam, 1967-74, where she found even Saigon too tame — before she snared a job with one of the most famous (or infamous) American leaders, John Paul Vann. And that adventure topped out in the intense combat experiences of the Tet Offensive of January 1968.

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2018 LitFest Podcast: Austin Woerner & Su Wei Launch The Invisible Valley

By Podcast

*A 2018 HIGHLIGHT* Acclaimed Chinese novelist Su Wei and his translator Austin Woerner debut the English edition of The Invisible Valley, an epic experiment in creative co-translation that has been ten years in the making. A rollicking adventure story set in the jungles of far southern China during the 1970s, The Invisible Valley follows a young man whose friendship with a family of migrant woodcutters plunges him into a strange world of magic, mysticism, and giant snakes. Su and Woerner tell the story of their unlikely friendship, their unique approach to translation, the literary legacy of the “Down to the Countryside” movement, and Su’s dramatic life story. In Chinese and English.

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Paul French on City of Devils: A Shanghai Noir | 2018 Shanghai LitFest Podcast First Release!

By Podcast

We’re excited to bring you the first round of 2018 Festival podcasts. Between now and the 2019 Festival (March 14-27, 2019), we will release a series of podcasts each week.

Be the first to hear the recordings by subscribing to our podcast channel on iTunes, Stticher or Google Play, and follow us on Facebook and Instagram. You can share your thoughts on the talks using #silf2018.


It’s time to go back and explore Shanghai’s Badlands…

Immerse yourself in 1940’s Shanghai with this astonishing story of two men whose lives intertwine in crime and twisted friendship. In a city under siege Viennese Joe Farren rose to fame by cashing in on Shanghai’s desperate pleasure seeking. King of the chorus lines, his name was splashed in neon across the infamous Badlands nightclub ‘Farren’s’. American fugitive Jack Riley, his fingertips acid-burnt, found a future in Shanghai as ‘The Slots King’. ‘Dapper Joe’ and ‘Lucky Jack’ collided, clashed and came together again in a frantic struggle to survive the city’s last days. Paul French resurrects the denizens of old Shanghai’s ganglands, the drug-running, the gambling, and the graft, vividly restoring this long overlooked side of the city’s history.

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2018-19 M Literary Residency Winner Jeremy Tiang

By Community

We are thrilled to announce the 2018-2019 winner of the M Literary Residency, Jeremy Tiang!

The M Residency allows writers with an interest in China to deepen their understanding of this vital and fascinating place. Established in 2009 and fully funded by the M Restaurant Group, the residency has its roots in M’s Shanghai and Beijing Literary Festivals, and aims to foster artistic, cultural and intellectual links between individuals and communities.

The M Literary Residency Programme is fully funded by the M Restaurant Group. The intent of the Residency is to provide space and time primarily for writing and location-specific research. It is not to be used as a base for travel for research or leisure. For residency guidelines and application details, please click here

M LITERARY RESIDENCY RECIPIENTS 2018-2019

  • Shanghai: Jeremy Tiang

Shanghai, March 16, 2018 – M Restaurant Group is thrilled to announce the winner of the 2018 M Literary Residency. Jeremy Tiang has been chosen for the residency in Shanghai.

Jeremy Tiang is the author of State of Emergency and It Never Rains on National Day (shortlisted for the Singapore Literature Prize), and the translator of more than ten books from Chinese, including novels by Zhang Yueran, Chan Ho-Kei, Yeng Pway Ngon and Tianxia Bachang. He has been awarded an NEA Literary Translation Fellowship, a Henry Luce Foundation Fellowship, and the People’s Literature Prize Mao-Tai Cup for Translation. Jeremy also writes and translates plays. He lives in Brooklyn.

#2018SILF BEST LITFEST YET 米氏文学节小结

By Events

The Shanghai International Literary Festival is China’s leading English-language literary festival, creating a dialogue between writers and readers along Shanghai’s famous Bund. Founded and organized by Michelle Garnaut of the M Restaurant Group, each year the festival brings together emerging and established writers of all genres for a taste of the current literary landscape.

Each festival spans two weekends and includes panel discussions, literary lunches, workshops and live events throughout the week as well as kids’ sessions, big names and more on the weekend. All sessions are uploaded online via the festival podcast (available on iTunes, Stitcher and Google Play).

Over the past 16 years, the Shanghai International Literary Festival has hosted over 1,000 writers and has seen some of the world’s greatest writers and thinkers in conversation.

The star-studded 2018 Shanghai International Literary Festival has come to an end…which only means it’s time to start getting through all of the books we picked up over the past two weeks! 

Thank you to our sponsors, friends of the M festival, our audience members and to everyone at M who made it possible! 

WEEK I

Both of Paul French‘s sessions were dripping in the baddest of 1940’s Shanghai gossip…and packed the house like only Paul French can!

Austin Woerner & Su Wei took us on a journey through the fantastical world of The Invisible Valley, the process behind this epic experiment in translation and gave us a glimpse into their magnetic friendship.

A true literary star, Geoff Dyer, was warm, generous and wry, and discussed what it really means to travel and how it ends up changing us.

Tess Johnston‘s no-frills approach to her experiences during the Vietnam War was humbling, fascinating and had us all in stitches.

Victor Mallet‘s eye-opening session on the role of the holy Ganges River and the vicious cycle it perpetuates sparked a lively discussion during the Q&A.

Laline Paull shared insight into her personal journey of writing both The Bees and The Ice and how it changed her own political and environmental awareness.

Dan Goldman’s sincere approach to graphic illustration was a breath of fresh air and a true testament to the art of graphic novels, video games and the tech future.

MT Anderson shared his latest book, Symphony for the City of the Dead: Dmitri Shostakovich and the Siege of Leningrad, and the fascinating true story behind one of Dmitri Shostakovich’s greatest symphonies, composed as the assault on Leningrad unfolded.

 Palani Mohan transported the audience to the barren Altai Mountains of Mongolia and presented his breathtaking photos of the punishing lives of the Eagle Hunters who live off the land.

Man Booker Prize winning author, Richard Flanagan, discussed his latest novel, First Person, along with his journey to become the writer he is today.

The Great FT Debate packed in more than 200 people for a fast-paced, razor-sharp debate on North Korea and its influence on the world. Thanks again to B5 Salon for offering up the beautiful space!

WEEK II

 Week 2 kicked off with Stewart Lee Beck‘s fast rewind through Chinese history from ancient kings to today’s tech leaders.

Glenn Diaz discussed his latest novel, The Quiet Ones, in an intimate and personal discussion with fellow writers.

For our poetry panel, we were treated to FOUR poets–Eleanor Goodman, Alice Pettway, David Perry and Daryl Lim Wei Jie–who discussed and read from their works.

Nick Bonner charmed us all with his insight into the DPRK and the gorgeous graphics he’s collected over the years. Sign us up for the next Koryo Tour!

Sheng Keyi & Charlotte Wood – through the help of Eric Abrahmsen’s wonderful live translations—discussed their novels, dystopia and what it means to be a woman today.

Our Stella Stars panelists Charlotte Wood, Alexis Wright and Fiona Wright showed us how strength and power can be achieved through writing and how they give voice to the otherwise voiceless.

Alexander Weinstein sent shivers down our spines with his short-story collection about AI gone haywire and what our world might look like in the near future…scary stuff!

Aaliyah Bilal illuminated the oft-forgotten Black lives in the early 20th Century in Shanghai.

Ayse Kulin gave us all inspiration by showing us the lives she followed to write her novel, Last Train to Istanbul, and her own story of becoming Turkey’s most successful author late in life.

Prolific Aboriginal writer, Alexis Wright, discussed her latest book, Tracker, which chronicles the life of Aboriginal activist Tracker Tilmouth.

Osamah Sami, a true performer, shared at once hilarious and poignant stories about his family’s journey as refugees from Iran to Australia…and left us moved.

The Erotic Fiction Competition was a raunchy, naughty and  very liquid affair! Congratulations to the winner!

Tango charmed us with his funny, thoughtful illustrations of how he sees the world…and he even drew portraits of everyone in the crowd, lucky us!

Richard McGregor‘s Asia’s Reckoning is an eye-opening look into the state of Asian geopolitics today and how they have shifted in the past few decades.

Sara Baume, shared her thoughts on creating art, her writing process and how she developed into a full-time writer.

Paul Beatty, a true literary genius, was effortlessly witty and blatantly honest about his craft, his life and his experiences. A true stand-out!

Robert Oliver shared his philosophies on South Pacific cuisine and how we must change our eating habits to incorporate more of what nature has to offer. The lunch was inspired by New Zealand and Samoan cuisine and was a very special treat! Thanks to Robert and M’s Executive Chef, Hamish Waddel!

Peter Conradi discussed the state of Russia’s role as a global player today and his latest book, Who Lost Russia.

Claire Chao shared the unbelievable true story of her family’s rise to power and very steep fall during the Cultural Revolution.

Roseann Lake discussed her fascinating new book, Leftover in China: The Women Shaping the World’s Next Superpower, and the heated Twitter debate surrounding it.

Lenora Chu & York-Chi Harder (moderator) discussed Lenora’s book, Little Soldiers, and how the American and Chinese school system foster different skillsets and how they can learn from each other to provide children the best of both worlds.

Instagram as a career! Michael Zee of SymmetryBreakfast (770,000 followers on Insta) shared his story of how a niche idea became his life’s work and how he has made a veritable career out of his gorgeous photos.

Bob’s Music Blog: Simply Quartet Returns to M on the Bund!

By Events

It is with great excitement that we welcome back the Simply Quartet to M on the Bund.

The quartet was founded in 2008 under the tutelage of Jensen Lam. The Crystal Room Chamber Music Series was their first performance home! They won first place in the 2009 Shanghai Chamber Music Competition and since then the Simply Quartet has–well simply–not looked back.  After going off to Vienna to study at the famed University of Music and Performing Arts, they have won numerous prizes in prestigious string quartet competitions including, most recently, the First Prize in the Franz Schubert Competition this past February in Austria.  I am sure the entire Shanghai Chamber Music Lovers community will want to be at Glam to proudly welcome home these incredibly talented and now duly recognized musicians!

I am always happy when I learn that the program for the next concert will give us an opportunity to compare two composers in such a way that will help us to have deeper insights into chamber music.  May 13 has such a program.  We have our old friend, Josef Haydn, the Father of the string quartet, with his Opus 74 number one written in 1793 when Haydn was 61 years old.  He wrote this opus after his first trip to London where he heard his quartets played in a large concert setting rather than in an intimate room.  The work is therefore more “orchestral” to fill the larger space and was premiered on his return to London at Hanover Square in 1794.  As always with Haydn, there are delightful surprises and we will discuss those before the concert in May.

While Haydn is viewed as the quintessential composer of the Classical era, Robert Schumann is often referred to as the quintessential early romantic composer, more concerned with emotional yearning rather than classical restraint and balance.  In his early piano music he eschews the classical forms of Haydn, Mozart and Beethoven and draws from literature and song cycles to create large scale works made of up smaller song like pieces but which hold together in an overall cohesive framework.  These works represented a truly revolutionary change in music history.

It is therefor a little surprising that in the early 1840s, after years of writing avant-garde piano pieces and songs, Schumann tried his hand at writing symphonies and chamber music in more or less the mold of the earlier Classical composers.  String quartets by that time would have been seen as historical yet highly respected musical forms – and writing them would be a bit like modernist poets trying their hand at writing, say, sonnets.  We might understand Schumann’s change partly by the fact that his father-in-law was a very conservative musical pedagogue and tended to look down on Robert’s compositions.  Also times were a-changing and there was a revisionist sentiment in the air pushing against what were seen as the excesses of earlier Romanticism. Schumann was also increasingly suffering from the depression that in ten years would force him to have himself committed to an asylum.  In any event, Schumann wrote a string of chamber masterpieces during this time including his three string quartets and his famous piano quintet and piano quartet.  Romantic composers generally stepped carefully into the earlier classical world due to the enormous shadow cast by Beethoven and we can find echos of his work–along with hints of our Haydn and Mozart–in the Schumann’s third string quartet that we will hear in our program.

So please come and welcome home the Simply Quartet and hear this wonderful program that they have prepared especially for us!

Bob Martin

For those of you who like a little advance listening, you might try the following:

For the Haydn, the Amadeus Quartet: https://www.youtube.com/watch?v=BvfO5L5SAts
For the Schumann, the Quartetto Italiano: https://www.youtube.com/watch?v=08hmey8e0js

Glam’s April Vegan Brunch [SAT APR 7]

By Events

Glam’s gorgeous, KOL-approved VEGAN & GLUTEN-FREE brunch is back on SAT April 7th! Our seasonal, local and deliciously creative menu will have your palate and Instagram in sheer delight!

时令、美味、健康、独具创意的魅蓝全素早午餐自一月开启以来,受到越来越多的关注,食客们均赞不绝口,满意而归… 下一次的素食早午餐将于4月7日周六进行,马上预定你的餐桌吧!

Show your body some love with our healthy, very yummy and beautiful vegan brunch…book your table before it’s too late!

The Wall at Glam x Christian Ruiz

By Uncategorized

A new year, a new Wall at Glam! Starting in January 2018, we’ll have French artist, Christian Ruiz’s paintings on The Wall at Glam. With the help of curator, Isabelle Dupuis-Krause, Christian’s paintings will bring the wall to life with vibrant color and rich depth. And to celebrate Christian’s presence at Glam, our launch party on January 13th is sure to be a very glam time…save the date!

And don’t forget our current Wall at Glam with La Cornelius is on until January 8th…catch his brilliant pieces while you still can!

 

Glam’s Monthly Vegan Brunch!

By Events

Glam’s monthly VEGAN brunch starts on January 7th, 2018…Treat your body right with a healthy, sustainable and delicious vegan brunch to make you forget all of your holiday sins…book your table soon!

For the full menu, please click here.

Bob’s Music Blog: January 2017 Chamber Music Concert – Britten, Schumann & Schubert

By Uncategorized

On January 28th, 2018 we will hear three masterpieces for viola, two with piano accompaniment, by Benjamin Britten, Robert Schumann and Franz Schubert.

Ticket Type Event Details Price
Adult January 28, 2018 at 4:00 PM ¥ 85.00 CNY
Student January 28, 2018 at 4:00 PM ¥ 40.00 CNY

Although the viola has been around in some form virtually as long as its string siblings, the violin and the cello, it was only in the 19th Century and especially in the 20th Century that the viola was increasingly seen for its potential as a solo instrument. Up to then, the instrument was mainly used in musical ensembles to provide inner harmonic voicings emerging only occasionally for brief moments of solo lines. It was with Berlioz’s Harold in Italy (1834), commissioned for orchestra and viola by none other than Paganini, did the viola start to be consistently seen as a solo instrument in its own right. Schumann’s Märchenbilder that we will hear on the 28th of January is one of the most important viola solo masterpieces to be written in the 19th Century and helped to further cement the viola’s role as a full-fledged solo instrument.

The first piece we will hear is the last movement, Ciaconna or Chaconne, of Benjamin Britten’s Second Suite for solo Cello. It is frequently played on the viola as well. Britten (1913-1976) , one of the giants of 20th Century music, is mainly known today as an opera composer and he is the most frequently performed opera composer born in the 20th Century. But he was a prolific composer in many kinds of music whether it be orchestral, choral or chamber. He wrote his three solo cello suites for his close friend Mstislav Rostropovich in the 1960s and early 1970s. The Ciaconna movement which we will hear takes a respectful glance back to its Bach predecessor while clearly being a work of the 20th Century. The chaconne dance form, by the way, appears to have originated in the New World, made it way to Spain as a sprightly dance, but had morphed into a slow, serious form in three beats by the time Bach and contemporaries wrote them in the 18th Century.

Robert Schumann (1810-1856) was often inspired by childhood for his compositions. His piano suites Kinderszenen (Scenes for Childhood) and his Album for the Young are perhaps the most famous. Toward the end of his composing career he wrote two suites inspired by fairy tales: Märchenerzälungen (Fairy Tales) in 1853 for viola, clarinet and piano and Märchenbilder (Scenes from Fairy Tales) in 1851 which we will hear in our concert. On the printed score Schumann does not tell us which fairy tales he is writing about, but from his personal correspondence we learn that the first two movements of Märchenbilder relate to Rapunzel, the third movement to Rumpelstiltskin and the fourth to Sleeping Beauty. Schumann likely leaves this information off the score so that we concentrate more on the pure music rather than trying to guess the underlying narrative.

Franz Schubert (1797-1828) wrote his Sonata in a minor opus 821 for the then recently invented instrument, the arpeggione, a six-string fretted instrument that looked something like a cross between a cello and a guitar. By the time the sonata was published posthumously in 1871 the arpeggione was long out of fashion and the sonata has generally been played by cello or viola, although it has been arranged for flute and other instruments. The sonata is one of the most beloved of all Schubert sonatas. It is easy to see why being packed with melodies of great pathos that Schubert is known for. When he wrote the sonata in 1824 he was already aware that due to his health each year left to him was a gift. Even in happier moments of his music we get a sense that he is conveying, “This is how it could have been, but this is how it is”. Schubert seemed to accept his fate of a short life not with only bitter sweetness but more with a profound and humble sense of acceptance, reconciliation. Ironically my favorite cello recording of the Arpeggione Sonata is by Rostropovich and Benjamin Britten whose music and influence started off our program today!

Please come to Glam on January 28th to hear this wonderful program. It will be played by Cao Yibo the violist of the award winning Song Quartet, which we have heard several times at Glam, and by Professor of Piano, Zheng Lin from the Shanghai Conservatory. See you on the 28th!

Bob Martin

For pre-listening:
Benjamin Britten’s Second Suite (arranged for viola by Nobuko Imai):

Schumann’s Märchenbilder:

Schubert’s Arpeggione Sonata (viola):

Schubert’s Arpeggione with Rostropovich (cello) and Britten